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Snow in New York. Photographed by Cornell Capa. December 1948.

There are roughly three New Yorks. There is, first, the New York of the man or woman who was born there, who takes the city for granted and accepts its size, its turbulence as natural and inevitable. Second, there is the New York of the commuter—the city that is devoured by locusts each day and spat out each night. Third, there is New York of the person who was born somewhere else and came to New York in quest of something. Of these trembling cities the greatest is the last—the city of final destination, the city that is a goal. It is this third city that accounts for New York’s high strung disposition, its poetical deportment, its dedication to the arts, and its incomparable achievements. Commuters give the city its tidal restlessness, natives give it solidity and continuity, but the settlers give it passion. And whether it is a farmer arriving from a small town in Mississippi to escape the indignity of being observed by her neighbors, or a boy arriving from the Corn Belt with a manuscript in his suitcase and a pain in his heart, it makes no difference: each embraces New York with the intense excitement of first love, each absorbs New York with the fresh yes of an adventurer, each generates heat and light to dwarf the Consolidated Edison Company… — E.B. White, ‘Here is New York’

New York City, 1959

Frank, Jules Munshin, and Gene singing their lungs out on top of the RCA Building (now the GE Building, and the centerpiece of Rockefeller Center).  Jules was terribly afraid of heights, and when you watch this number, you can tell.  I think that’s why Gene is kind of holding his hands. 

Edward Pfizenmaier 
Wollman Rink, Central Park, New York City, 1954

Mickey Mouse appears for the first time in the 10th Annual Macy’s Thanksgiving Day Parade; 1934.

From Central Park: New York City, February 1933 (via)

Someday, I tell myself…someday.
Midtown Manhattan sparkes, 1943.